Joe watches too many movies. He grew up in central Washington, earned his B.A. in Education and Fine Art, an M.A. in Theology and currently works in the printing industry. During school, he fit in a few film classes. He is interested in writing, theology and hopes to one day compose the ultimate Joe Versus the Volcano commentary track.
Melissa has a B.A. in History and an M.A. in English with an emphasis on Film Studies. She has taken classes on everything from silent to romance to post-colonial films and much in between. Her research and interests lie mainly in feminist film theory, women in film, Hitchcock and the studio era. At the end of the day, however, she just loves films; from Notorious to Die Hard!
Tue, 24 June 2008  Category: Coming Soon -- posted at: 1:29 AM Comments[8] |
Tue, 24 June 2008  Now, after great confusion, comes the single-most requested episode of WTD: the elusive Part 1 (of 3) in Hitchcock's filmography. Beginning with prototypical mistaken identity/murder suspense thriller of Blackmail, and moving through landmarks like The Lady Vanishes, we look over the formative years of one of the most iconic directors of the twentieth century. On this episode we explore the British era of Hitch's work, culminating in the bizarre, romantic thriller, Rebecca.And, we also make an important announcement about the future (a short future) of the show. (Next WTD: Anniversary Show, July 8) (Next Watching Theology: Lars and the Real Girl) Music by My Brightest Diamond from A Thousand Shark's Teeth Courtesy of Asthmatic Kitty Records Comments[2] |
Tue, 24 June 2008  In the collective genius that is the Ten Quiz, we take a gander at the second-most forgotten era of a great director's work. Along with the hosts' own insights, listeners have provided true insight into Sir Alfred's films, from the first murder with sound in Blackmail to the last British film (or first American), Rebecca.Comments[1] |
Tue, 3 June 2008  Category: Coming Soon -- posted at: 8:00 AM Comments[10] |
Tue, 3 June 2008  It's not hard to list directors from the studio era that are considered greats: Welles, Hawks, Wilder, Capra and Ford. But if you ask modern giant Martin Scorsese, he might remind you about a British director named Michael Powell. Together with long-time partner Emerich Pressburger, Powell formed the production company "The Archers." That team produced remarkable films that are generally underwatched and underappreciated in the United States. Whether it's the epic The Life and Death of Colonel Blimp, the dance masterpiece The Red Shoes or the mystic psychological tale of nuns in the Himalayas (Black Narcissus), The Archers have created an impressive body of work that deserves greater attention.On this episode, we look at the work of Powell & Pressburger and are joined by John Damer, host of the podcast For Lack of a Better Word. Together, we try to get a handle on a large and substantial body of work. (Next WTD: Alfred Hitchcock Part 1: The British Talkies, June 24) (Next Watching Theology: Lars and the Real Girl, June 13) Music by DM SMITH from an upcoming work Courtesy of Asthmatic Kitty Records Comments[0] |
Tue, 3 June 2008 This is a mono edition of the lengthy and large Powell episode (35 MB vs. 71 MB). Comments[0] |
Tue, 13 May 2008  The Powell & Pressburger show presents a challenge for viewers in Region 1 North America. Several of the films in the official "Archers" catalog are unavailable through normal channels here in the states. So if you have a multi-region DVD player and a few contacts in the UK, you may want to call in some favors. If not, consider a few available Michael Powell, non-Archers projects like The Thief of Bagdad (1940), 49th Parallel or Peeping Tom. We will be joined on this episode by John Damer (For Lack of a Better Word podcast). Also, special thanks to Steve Crook from The Powell and Pressburger Appreciation Society for his assistance in defining The Archers filmography. Category: Coming Soon -- posted at: 11:18 AM Comments[5] |
Tue, 13 May 2008  There aren't many directors who get to be called "cool" as often as Mr. Steven Soderbergh. But the de facto chronicler of the new Rat Pack didn't start that way. Before Ocean's 11 (12 and 13), he was best known for a little indie film called Sex, Lies, and Videotape. That movie's frank dialogue and personal filmmaking style helped secure the power of Sundance and the rise of independent filmmakers everywhere. But Soderbergh also has some interest in how films are made, including the cameras and actors he uses - or if he should even use traditional cameras or actors.In the nearly twenty years since he burst onto the scene, Soderbergh has become a new icon of American filmmaking. (Note: The Ten Quiz program is slightly delayed. It will post soon.) (Next WTD: The Archers–Powell and Pressburger, June 2) (Next Watching Theology: Raiders of the Lost Ark, May 27) Music by SHAPES & SIZES from the album Split Lips, Winning Hips, A Shiner Courtesy of Asthmatic Kitty Records Comments[1] |
Tue, 22 April 2008  Category: Coming Soon -- posted at: 8:21 PM Comments[15] |
