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UPCOMING SHOWS


43. HITCHCOCK: Part 1 - The British Era 6.24
SE6 ANNIVERSARY SHOW 7.8

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ABOUT US

Joe watches too many movies. He grew up in central Washington, earned his B.A. in Education and Fine Art, an M.A. in Theology and currently works in the printing industry. During school, he fit in a few film classes. He is interested in writing, theology and hopes to one day compose the ultimate Joe Versus the Volcano commentary track.

Melissa has a B.A. in History and an M.A. in English with an emphasis on Film Studies. She has taken classes on everything from silent to romance to post-colonial films and much in between. Her research and interests lie mainly in feminist film theory, women in film, Hitchcock and the studio era. At the end of the day, however, she just loves films; from Notorious to Die Hard!

DIRECTOR REQUESTS

(Bold shows are links to published shows - * are the 10 most requested unpublished shows)
Akira Kurosawa/ Woody Allen* 1,2/ Pedro Almodovar/ Robert Altman/ Allison Anders/ Wes Anderson/ P.T. Anderson*/ Michaelangelo Antonioni/ Darren Aronofsky/ Hal Ashby/ Michael Bay/ Beat Takeshi/ Ingmar Bergman (Criterion)/ Luc Besson/ Uwe Boll/ Danny Boyle/ Kenneth Branagh/ Craig Brewer/ Mel Brooks/ Ed Burns/ Tim Burton/ Luis Bunuel/ James Cameron/ Jane Campion/ Frank Capra/ John Carpenter*/ Charles Chaplin/ Martha Coolidge/ Coen Bros*/ Francis Ford Coppola/ Wes Craven/ David Cronenberg/ Cameron Crowe/ Alfonso Cuaron*/ George Cukor/ Michael Curtiz/ John Dahl Jules Dassin/ Brian De Palma/ Vittorio De Sica/ Guillermo del Toro/ Jonathan Demme/ Stanley Donen/ Laurence Dunmore/ Clint Eastwood/ Nora Ephron/ Federico Fellini/ David Fincher/ John Ford/ Milos Forman/ Marc Forster/ John Frankenheimer/ William Friedkin/ Sam Fuller/ Antoine Fuqua/ Mel Gibson/ Terry Gilliam*/ Jean-Luc Godard/ Michel Gondry/ Paul Greengrass/ Michael Haneke/ Curtis Hanson/ Mary Harron/ Howard Hawks/ Hayao Miyazaki/ Todd Haynes/ Amy Heckerling/ Chris Hedegus/ Werner Herzog/ Alfred Hitchcock 1 2, 3 / Agnieszka Holland/ Ron Howard/ John Hughes*/ Owen Hurley/ Alejandro Gonzalez Inarritu/ Peter Jackson/ Jim Jarmusch/ Jean Pierre Jeunet/ Neil Jordan/ Aki Kaurismaki Elia Kazan/ Buster Keaton/ Krystoff Kieslowski/ Barbara Kopple/ Stanley Kubrick/ William Lau/ David Lean/ Ang Lee/ Spike Lee*/ John Landis/ Fritz Lang/ Mike Leigh/ Sergio Leone/ Justin Lin/ Richard Linklater/ Ken Loach/ Ernst Lubitsch/ George Lucas/ Sidney Lumet/ David Lynch/ Terrence Malick/ James Mangold/ Joseph Mankiewicz/ Michael Mann/ Penny Marshall/ Leo McCarey John McTiernan/ Jean-Pierre Melville/ Roger Michell/ Nancy Meyers/ Michael Moore/ Errol Morris/ Mira Nair/ Christopher Nolan/ Frank Oz/ Yasujiro Ozu/ Park Chan-wook/ Alexander Payne/ Sam Peckinpah/ Sean Penn/ D.A. Pennebaker/ Wolfgang Petersen/ Roman Polanski/ Sydney Pollack/ Michael Powell/ Sam Raimi/ Nicholas Ray/ Robert Redford/ Carol Reed/ Rob Reiner/ Ivan Reitman/ Jean Renoir/ Eric Rohmer/ Guy Ritchie/ Robert Rodriguez/ George Romero/ Roberto Rossellini/ David O. Russell/ Walter Salles/ Barbet Schroeder/ Martin Scorsese/ Ridley Scott/ Tony Scott/ M. Night Shyamalan/ Bryan Singer/ Kevin Smith/ Steven Spielberg/ Steve Soderbergh/ Oliver Stone/ Preston Sturges/ Quentin Tarantino/ Osamu Texuka/ Rawson Marshall Thubber/ Francois Truffaut/ Tom Tykwer/ Agnes Varda/ Gore Verbinski/ Paul Verhoven/ Lars von Trier/ Peter Weir*/ Orson Welles/ Wim Wenders/ Lina Wertmuller/ James Whale/ Billy Wilder*/ Robert Wise/ Wong Kar-Wai/ John Woo/ William Wyler/ Joe Wright/ Robert Zemeckis/ Zhang Yimou/ Edward Zwick

EPISODES

"Edward who?" you may ask. Edward Zwick, of course. He's the guy who just released the under-performing Blood Diamond and some other films you may have seen. Does The Last Samurai sound  familiar? How about a little Civil War drama called Glory? Well, if you still have questions, listen to this episode as we discuss Zwick, a television mentality, and that famous rice liquor, sake. Plus, we'll still have our Ten Quiz.
Theme by Deerfoot (at ilovedeerfoot.com)
Other music by Epic Hero (at orangebetty.com)
(Next show: Directors to watch - December 26)
Direct download: WTD14_EdwardZwick.mp3
Category: podcasts -- posted at: 11:24 PM
Comments[47]

    Hey guys, I enjoyed the show, and I was glad to see Edward Zwick getting some attention. He's quite the elusive figure and is basically one of those directors who just really lets his films speak for themselves.

    I agreed with you guys on how sometimes his shot compositions are very "TV Movie like", in that he'll shoot a lot of medium to medium-closeup shots. But it's really turned into a style of his own, since his films are character driven (with characters who are usually truly products of their environment) I think he feels that all our attention should be turned onto that character at that moment. If anything, his film, for me, call back to the old style of epic filmmaking. The likes of "Lawrence of Arabia" or "Ben Hur", all films that don't give in to flashy camera movements, but rather let us as an audience observe what's going on.

    He does have a knack for getting very cinematic sometimes though. When I think of a Zwick film, certain shots, achieved with a locked down camera, usually come to mind. Especially the shot from "Glory", of when the regiment is marching on the beach with white regiments on both sides of them saluting. There's a shot of the entire scene up above, with the beach in the background and the flags whipping around in the foreground, really creating a scope of how brave these men were.

    As you could probably tell, "Glory" is one of my favorite films ever, but really, it would be nothing without it's genius score.

    posted by: Jon on Thu, 12/14 01:46 PM EST

    I just wanted to let you both know I enjoyed the podcast on Edward Zwick enourmously. I have to admit, to my shame, that he flew under my rader and I wasn't as up to speed on his body of work as I should have been. It's intereting that he sets these very personal stories against the backdrop of world conflict while at the same time making sure that he stands in the background, nondescript, too self a facing to take a stylistic bow and so remains under many peoples radar.

    My first thoughts flew to Micheal Curtiz and Casblanca. Here too was a very personal story told against the backdrop of a world at war where the transformation of the main charatcer seems to be the key to winning the war. Yet Curtiz also stands in the shaddows, like Zwick, letting the story take the spotlight. Keeping his stylistic flairs to character enhancing lighting and ensemble acting.

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How do we come up with our Director Scores? We use a scale between 1 and 10 (10 being perfection) based on 5 different categories. For more information on criteria, download this PDF.

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